Picture of Red Desert, WY at sunset

A Dog with a Job: A Meditation on Jobs, Callings, and Passions

One of our dogs, Snips, is a border collie-corgi mix, or a borgi, and she is an exuberant soul. When she wags her stumpy tail, her entire body wiggles. She knows she is not supposed to jump up on people but sometimes cannot contain herself. She is eager to assist in any activity at any time — I work from home, and if I get up to get a drink of water, she usually hops up from her pad and follows me into the kitchen to see if she can be involved. She loves our older dog, loves our cat, loves my husband, loves my son, loves me. 

But she probably loves playing fetch more than anything. Every morning, one of us throws the ball for her for about fifteen minutes, and we repeat the routine each evening before dinner. She is always eager to get started, staring from us to the back door until we put on our coats and go outside.

Once we get out the ball, she becomes so immersed she ignores everything else, even our neighbors’ dogs coming to the fence to say “hello.” She is built for this game, too. Though she is long-bodied and short-legged, she is muscular and athletic and boasts quick bursts of speed of which her quarter horse friends would be envious. She often catches the ball mid stride or with spectacular air-borne leaps.

Maybe saying that she “loves” fetch isn’t quite right. A friend of mine once described working dogs like border collies, Australian shepherds, and blue heelers as “dogs that need a job.” Snips definitely fits this bill, and since we live in town and don’t have a herd of cattle in our backyard, we started playing fetch with her as a way to fill the gap.

Watching her, I’ve begun to wonder if it is more than a job. One might use the term “obsession.” Even after an eight-hour-day of hiking during backpacking trips, she’s game — she hunts up sticks and tosses them at as us the minute we take of her pack and continues to do so until we acquiesce. She only really rests after it gets too dark to play, and then only if she has gotten in a solid fetch-session. 

Fetch is the thing that fulfills her like nothing else. Though I risk anthropomorphizing her (more than I already have) by doing so, I think of it as her calling.  Would it be if she had the opportunity to work cattle as she’s bred to do? I’m not sure. But I believe dogs know love and joy, and I believe I see it in her face every time she plops down, panting and grinning, after playing fetch.

I’ve been meditating on passions and callings and jobs of late as I continue to reestablish and reimagine routines that were disrupted when my father died and then during the holidays. I’ve been thinking about how I actually spend my time and how I want to spend it. I am learning from watching Snips play fetch. I wouldn’t enjoy running wind-sprints after a ball in the backyard (though, man, I’d be in great shape if I did), nor would I be fulfilled by doing so. But I am realizing that I am lucky that, like Snips, I know what my calling is. 

I think each of us has something like this, something that draws us. We can’t borrow it from someone else but must find it for ourselves. Even once we do, we then have to insist, as Snips does by trotting to the door every day, that we get to do it regularly. 

This is where I fall short too often — I feel the pull to write, the need to, and I know that if I do, I will feel the same satisfaction Snips does after fetch. But it is easy to think I don’t have time. Unlike my dog, I tell myself, I have to deal with “real life.” She doesn’t have to answer emails, run errands, or file taxes. 

Then I remind myself that Snips only asks for one or two fifteen minute sessions of fetch each day, that fifteen minutes is enough. That, like Snips with a ball, once I get started writing, I don’t want to stop.

Woodstove: A Poem

Perhaps a meditation on past and present,
the grain of rounds leading to the stroke
that splits them clean. Is tracing the knots
and whorls like reading
a fortune of how they come
apart and how they cleave together?

Or perhaps a meditation on form
and function, the swing of the maul
both power and grace. You feel it,
rising and falling like your breath
in the cold, the slide of sinew and muscle
under your coat, the wood warming already your skin.

Or a meditation on enough and plenty,
on stocking and stoking the rack,
on tending a house until a sense of home
fills the air. The radiance of flame, different
than the blow of a furnace, releases all
the years of growth, like branches reaching skyward.

And how that means generations,
your father’s swing and motion now your own,
becoming our son’s as he carries
an armload inside and helps me lay the fire.
Which is all to say, a woodstove and its heat are simply
beauty in the end, and love.

I initially wrote this poem as a Father’s Day gift for my husband, Rob, and he later had a version of it tattooed on his leg along with an image of the log cabin in which he grew up. Todd O’Hare of Rolling Tattoo in Laramie did the ink. His work is fabulous (and I would know – he’s done about ten tattoos for Rob and one for me, so I get to enjoy his art every day.) Check him out here: https://www.rollingtattoo.com/todd-ohare.

The Correct Lead: Meditations on a New Year

One of my favorite “people” is actually my horse, Scout. She is an eight-year-old buckskin, Quarter Horse mare. My dear friend, M., gave her to me as a gift when she was a yearling, right after my beloved gelding, Tucker, died. With lots of guidance from M., I started Scout myself, and I’ve done all of her training since. She is a gentle, generous horse, and she has never bucked and rarely spooks unless a duck flies out from under a bridge. (She is not a fan of birds in general.) We’ve done a fair amount of trail riding around Laramie, Riverton, and Lander, and in the winter, we are lucky to have access to an indoor arena at the barn where I board her. I’ve learned a lot over the last seven years with Scout, most certainly more than she has learned from me. 

When you start and train a horse yourself, you see your own strengths and limitations mirrored back to you every time you handle them. As many a trainer will tell you, horses don’t lie. So, I am proud that Scout stands quietly while being saddled, takes the bit willingly, and is more likely to walk up to a flapping tarp to inspect it than she is to shy away from it. On the other hand, she grows anxious and tense when I ask for a lope in the arena.

She’s heavily “left” handed, meaning she prefers to pick up her left lead any time she lopes. When a horse lopes, their legs on one side will stretch farther forward than on the other, determining the “lead.” When you ride a circle, being on the “correct” lead means the inside front and back leg are the ones leading. If you’re riding down the road and decide to lope for a bit, it doesn’t really matter what lead the horse picks up, but if you’re riding in a circle, being on the wrong one makes the horse less balanced and the ride far rougher. In show competitions, riders are penalized if their horse is on the wrong lead. It is usually easier for a horse to pick up the inside lead, but they don’t always do so.

Scout likes to be on the left lead, even if I’m not riding her and she’s going to the right in the round pen. We’ve worked on this issue for a long time, and I’m afraid the result is that I get too heavy in my hands and overly strong with my legs when I ask her to lope — I pick up on my inside rein too much, cue her too hard with my outside leg, and if she picks up the wrong lead, I’m too fast to gather my reins and slow her down. The result is that she throws herself into a fast lope rather than picking up an easy one. She’s nervous, anticipating the tug at her mouth and the touch of my spur. 

On the other hand, if I am patient, if I am gentle with my cues, if I give her time to settle into the lope and find her own cadence, she calms and softens. As we practice lead departures in this relaxed, easy manner, she begins to gain confidence, and we both build the muscle memory and trust needed to move forward into more advanced maneuvers. 

I’ve been thinking a lot about this lesson from Scout as we enter the new year, with all of the associated pressures to set goals, be productive, and generally improve in all areas of our lives. The most obvious resolution for me is to double-down on my writing, especially after setting aside the revisions of my novel following my father’s death, during the holidays, and while I’m teaching a four-week winter break class at the University of Wyoming. But instead of setting ambitious deadlines and hard targets for word counts and hours spent at my desk, I’m trying to give myself the time and space to listen to characters and the story, to let the novel lead me into the rhythm it requires to move forward. So, perhaps this is my goal for 2024, to be softer and far more patient as I decide what patterns, habits, and aspirations I want to foster. Scout will let me know if I’m getting off track. After all, horses don’t lie.

Picture of Red Desert, WY at sunset

Honoring My Father

The last month has been a hard one for my family — my father, Ken Stebner, passed away on November 10th. I am trying to learn the lessons grief has to teach me, but my creative energy has taken a big hit. To honor my father, I want to share with you his obituary, which my brother, Dan, and I wrote together.

Kenneth Edward Stebner, 1944-2023

Kenneth (Ken) Edward Stebner, 79, of Rawlins passed away on November 10th, 2023 in Laramie. Ken was born in Laramie on April 5th, 1944 to Charlie and Mary Stebner. He led a life defined by deep connection to family, enduring friendships, and rich experiences.

He grew up in Laramie, sharing many adventures with his older brother, Ron Stebner, his younger sister, Marilyn Stebner Kite, and many close friends. After graduating from Laramie High School in 1962, he went on to earn a B.A. in History from the University of Wyoming in 1968. He took full advantage of the college experience, enjoying his time as a Sigma Chi and founding member of the Turtles. He served his country as a member of the Army during Vietnam. Upon his return from his tour of duty, he used his G.I. Bill benefits to attend law school with his sister, Marilyn, wishing to continue serving the citizens of the state of Wyoming. He began his career in law in 1975 at legal services on the Wind River Indian Reservation and went on serve as a Deputy County Attorney in Sheridan County. After a brief stint in private practice, he was appointed to the bench as a justice of the peace in Carbon County in 1982 and began a distinguished career in the state judiciary, serving as a county court judge and then as a district court judge for the Second Judicial District, which includes Carbon and Albany Counties, until his retirement in 2004. 

Throughout his life, Ken’s heart always belonged to Wyoming’s wild places, especially the Snowy Range, the Red Desert, and the Wind Rivers. He met Karey Huff, his wife of 46 years, in Fremont County, where they began a life filled with adventures hunting, fishing, and backpacking. Ken and Karey raised their two children, Dan and Ann, in Rawlins and in those same beloved wilds. They continued to share his legacy with their own families, with Ann marrying Rob Steele in 2009 and Dan marrying Stacy Sewell in 2015. Ken was grateful to spend time in the country with them and, later, with his three grandchildren, Stebner (Ann & Rob) and Bess and Charlie (Dan & Stacy). His family survives him and will honor his memory by “going to the hills,” as he always put it.

A celebration-of-life service will be held at a later date.

In lieu of flowers or gifts to the family, memorial donations can be made to a fund in his honor:

The Judge Kenneth Stebner Memorial Fund
University of Wyoming Foundation
Marian H. Rochelle Gateway Center
222 South 22nd Street
Laramie, WY 82070

Picture of Red Desert, WY at sunset

Creativity and Micro Art #2

As I’ve worked on revising my novel, I’ve been turning to visual art and poetry to exercise generative creativity. Visual art results in more concrete progress than what I’m seeing on my novel right now and lets different parts of my mind work. The focus on line-by-line writing and the weight of each word required when writing poetry helps hone my focus before I turn to revising the novel. I’ve got some poems in progress that I look forward to sharing, but my most complete project right now is my latest “micro art” piece, a colored pencil sketch of my horse, Scout. I get some of my best perspective on life while looking through her ears.

Here’s wishing you a happy Thanksgiving and many outlets for your own passions and creativity!

Picture of Red Desert, WY at sunset

Regeneration and Revision

The seed of my current novel came to me in the form of a dream in the fall of 2009. My husband, Rob, and I had just moved to Moscow, Idaho so I could attend the MFA in Creative Writing program at the University of Idaho, and we were driving back to visit family. It was late—we left after he got off of work—and I fell asleep in the car. The dream was like watching a movie, like I’d walked in during the middle of a film. A barn was burning. Someone was trapped inside. I wasn’t in the dream, nor was anyone I knew, but it felt real and clear and stunning. I started taking notes and brainstorming that night when we arrived at  Rob’s parent’s house. For the next three years, I worked on the novel here and there, but it took a backseat to the essays and coursework I was completing for my MFA—I was studying non-fiction and didn’t think I could dive into writing a novel while also honing that craft. After graduating in 2012, I began to work on the novel in earnest.

Which means I have been working on this manuscript for over a decade, a fact that floors me. I have pages of notes and outlines, pages of cut material, pages of rewrites. Sometimes, I wonder if this is even the same book that I started all those years ago. For instance, that burning barn? It’s not even in the current iteration. I have heard that the human body regenerates all of its cells every seven to ten years, which would mean that I am not the same person I was when I started, that my novel and I have both “turned over” at about the same rate.

The truth about cell regeneration is more complicated than the cocktail party factoid that claims “every seven years, you replace all your cells.” Some cells, like skin cells, regenerate every few weeks, while others, like skeletal muscle cells, take more like fifteen years. Some cells, like spinal cord cells, never regenerate. And, of course, as we age the rate of cellular regeneration slows. 

But this complexity actually makes the comparison to my novel and its many revisions more apt. Some sentences have been removed and replaced, as have some paragraphs, scenes, chapters, and even whole characters. Others have changed in some way but still retain fundamental characteristics. The overarching structure remains, and my three main characters still resemble their younger versions, just like I do. 

Like all of us, a decade has brought a great deal of change my way, including starting a career, shifting careers, birthing my son and raising him, buying and renovating a house, selling that one and buying a new one, and so on. But I still value the same things, mainly connection with loved ones and the sense of verity I find most profoundly in Wyoming’s wild places. 

And, at its core, that’s what my novel is about, at least to me. Which is what I’ve been trying to capture on all the pages I’ve written trying to find its truest shape. I do think I’m close. I will not spend another decade working on this book—it is time to regenerate what needs turned over, then let what I have learned carry me forward into new projects. Ones that will grow and change as I do but which I hope will always reflect my own deepest core, the part of me that will remain even after all the cells that compose me have gone on.

October Sunrise

The darkened sky above and clouds along the eastern hills. The sun a silvering at that rim, the bellies of the clouds lit from beneath and the dark yet above. Then the dark giving way to the land, and the land blue and gray for one slow moment comprised only of heartbeats and breathes before a warming gold blooms down the fence posts and out across the plains.

Picture of Red Desert, WY at sunset

Revising a Novel: The Revision Wall

After receiving some generous feedback from an agent whom I queried, I have decided to circle back and do another major revision of my novel before moving forward with more queries. Their comments brought to light some aspects of the story and character development that I believe I can address to strengthen the manuscript. I hope to finish this revision in four to six months. Therefore, this is where I am spending most of my writing time these days.

So, where do I start with such a revision? To give you a glimpse of my process, I recorded a short video of my “revision wall.” Hope you find it interesting!

The Revision Wall Video

Light in a Limber Pine

On a dry autumn evening, the setting sun catches in the needles of a limber pine, sets the tree glimmering as if with raindrops from a summer shower. Each droplet shines, its own glowing globe. Sage and rabbit brush burnish golden, and granite glistens. The land whispers, wind over rock, through grass soft at the end of the day, and, as I listen, I hear it say that this study of light is a study of more, that it will darken with the falling sun, that it will catch itself tomorrow against new leaves, on the other side of pines, dancing with transposed shadows. That the light that shimmers in those delicate points in the tree before me never evaporates but instead turns and returns and touches into beauty many things, many places, in the course of one rotation of the earth.